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This article originally appeared in Strategy

Brand Doctors: Lessons from the Air Canada crisis

July 20, 2022

By Will Novosedlik

After arriving home from a holiday on the French Riviera a couple of weeks ago via Air Canada, Canadian ad veteran and Cannes Lions advisory board member Karen Howe shared her story on LinkedIn of trying to locate and retrieve lost luggage.

“My husband drives to the airport every day and goes to the lost baggage claim and says, ‘Has anyone found our luggage yet?’ Yesterday he found out they closed the file,” Howe posted. “Two are still missing, and it’s 21 days today…No one knows where any of our luggage is nor why it is gone. The AC site provides no information, nor does the team at Pearson. The arrivals hall is filled with hundreds of unclaimed suitcases.”

With pent-up demand for travel exploding, Air Canada is now mired in a crisis as it deals with cancelled flights, reduced routes, lost luggage, overwhelmed and under-resourced desk agents and baggage handlers, and interminable waits in airports overcrowded with weary, frustrated passengers – all chipping away at its brand.

In an apology letter to customers on June 29 announcing “meaningful reductions to our schedule” to “enable us to more reliably serve all customers,” Air Canada president and CEO Michael Rousseau explained that “despite detailed and careful planning…airline operations too have been disrupted by the industry’s complex and unavoidable challenges.”

This is a brand crisis in the most classic sense, so we tapped experts with this question: If you were CMO of Air Canada, what would you do?

David Kincaid, co-founder of Level 5 consulting, recalls the response of Maple Leaf Foods during the listeria outbreak in 2008 as a textbook case in how to handle such a crisis. “CEO Michael McCain wasn’t airing 30 second spots about it,” he says. “He wasted no time acknowledging the problem, explained what caused it and told everybody what he was doing to solve it. And then he kept people updated.”

Carrie Bradley, managing partner of The Bradley Group and experience strategy director at Bond Brand Loyalty, agrees. “The very first, day-one action would be to counteract the negative fear-inducing headlines by publicly owning and taking control of the situation,” she says. “I would use every tool that I have – from social media to digital – to report on the daily performance regarding check-in times, flights, leaving on time, baggage loss and time to deliver that lost baggage.”

Howe emphasizes the first moves are critical. “Don’t go dark: Human contact matters and goes a long way to retaining customer loyalty when things go awry,” she says. “Be honest, transparent and factual.”

Peter Drummond, co-founder and strategist of brand consultancy PSD+G Strategy Group, received an Aeroplan awards promotion in his inbox with the headline “Make your next trip more rewarding” just as Air Canada announced the elimination of 9,000 flights – highlighting the importance of pivoting your marketing messaging to focus on the crisis at hand. “The promotion would have been in the media calendar,” says Drummond. “Why wouldn’t the leadership team have checked in with the marketing department to see what’s going on with promotional messaging?”

Drummond cites this as an example of long-term strategy and short-term tactics being completely out of whack, and a situation the airline should have seen coming. As CMO, he would have halted all brand and retail communication and planned for all possible outcomes months ahead. “I’d review all strategic and tactical messaging that we had on the calendar and do a war game scenario,” says Drummond. “If the industry is going to do X, what are we going to do? If the industry is going to do Y, how will we respond? Now I know what the strategic and the tactical messaging scenarios are and depending how our customers react, then we have a clear pathway to messaging for that week or for that day.“

To this point, Kincaid says, “Sometimes you’re not marketing benefits. Sometimes you’re marketing solutions to problems. The marketing of all of this is just as important as the actual operational fix.”

In the midst of such a crisis, employees – the ones dealing directly with customer complaints – should also be acknowledged. When Delta Air Lines CEO Ed Bastian recently delivered his apology to SkyMiles members, he made a point to thank employees for their efforts. Carrie Bradley would take that a step further. “What are you doing for the people you are hiring for these roles?” she asks. “What kind of additional training will they get to deal with the unprecedented experiences they are about to face?”

In his message to customers, Air Canada’s Rousseau expressed sympathy with travellers but didn’t mention those working on the front lines. Karen Howe points out if you don’t own up to such a mess, then it shouldn’t be a surprise when your brand falls to the bottom of global rankings. According to a recent survey, WestJet and Air Canada have been the two worst performers on the top 10 list of global carriers.

All consultants agreed on the need to protect and prioritize your loyal base. Howe finally retrieved her luggage after 32 long days, and she is still pulling for Air Canada, seeing this as an opportunity for innovation. “Crazy times call for unprecedented creativity,” she says. “Throw everything and everyone you have at it with unparalleled focus. You have smart people and tremendous resources. Your brand is on a precipice but you can pull it back with the right moves.”

This article originally appeared in Strategy

Cannes Lions 2022: A welcome return carries the weight of the world

July 1, 2022

The attendance may have been down at Cannes Lions, but spirits were decidedly up. Everyone was hungry to talk about creative again instead of viral load. Even the notoriously hard-bitten Palais staff had a cheery disposition.

As is tradition, celebrities were brought to bear: Ryan Reynolds, Sir Patrick Stewart and Paris Hilton graced the stage, while Dua Lipa held sway over Spotify beach.

But it was President Zelenskyy that electrified the Palais. He appeared via video link and made his appeal for the most creative minds in the world to come together to help the Ukrainian cause.

Yep, things were different this year.

War and climate change dominated the headlines and the work. Greenpeace scaled the front of the Palais, one of several protests geared towards getting agencies to drop fossil fuel clients, which also included a former Lion winner crashing the first gala to return his award and a group of protesters storming the WPP beach in canoes and kayaks. A large dinosaur with a sign that said “Don’t choose extinction” made daily appearances. Ryan Reynolds said it best, “We’re all carrying around a big bag of rocks these days.”

So it’s a small wonder that purpose is perking along.

One contrarian session tried to make the case for brands to rethink purpose-driven stances, but that point of view occupies a lonely perch. Our collective expectation is that brands will champion social change, and it showed in the work. The issues were heavy, and they were many; from climate change, dying coral reefs and depleting rain forest to plastic in oceans, domestic violence and child marriage. Accessibility-driven ideas also harvested Lions.

The brilliance of the work was inspiring but emotionally draining in equal measure.

Perhaps that’s why I was so ready for Skittles, and their 10-hour personalized apology for switching lime-flavoured Skittles to green apple. It was a rare laugh when it was needed most. The cleverness of personalization being deployed on a mass scale made it truly Lions-worthy

Other changes afoot at the Lions included the pavilions. Social players like Meta, Twitter, Google and TikTok jostled the media giants for cabana real estate as they made pitches to advertisers.

Session-driven FOMO abounded. There was the requisite quiet grumbling that too many sessions orbited around data, analytics and performance rather than creative, but that’s an annual tradition to claim that we’ve gotten away from our creative roots. I was surprised that David Droga’s session was less the hoped-for master class in creativity and more of a science lecture.

In fairness, tech talk was rampant. For some, the white-hot buzzwords included NFTs, metaverse and Web3, while others just rolled their eyes.

The final speech I attended was Empathy, Emotional Data and Creativity by Josy Paul of BBDO India. Paul is a multi-Lion winner. His approach to creating work is to think of it as emotional archeology, and think of himself an antennae to pick up needs and thoughts and feelings. He finds the formal briefing structure too transactional and, instead, Paul espouses talking. Employing deep listening skills to find empathy – he refers to it as emotional data. We should strive to be a DJ of thoughts, and instead of pushing to sell someone, look for truth, which sells itself. Paul’s thought is we are all human and our universal currency is feeling.

Cannes Lions managed to lurch to its feet after a two-year hiatus. Attendance was a little soft, but inspiration flourished. I am so glad to be back to celebrating big, beautiful ideas.

“Bittersweet Symphony” was the closing song of the Lions Festival, a perfect summation of the last two years for all of us. COVID-19 was surprisingly unrepresented in the work, as were masks in the Palais (it will be interesting to see if the Lions ends up being a 12,000-person global super spreader). It was a tough slog and it’s still going be tough – who’s kidding who – but the Lions are roaring again, and they remind us of the power of creativity.

Josy Paul of BBDO India dicsusses Empathy, Emotional Data and Creativity.

Cannes Day 5: Josy Paul, radical impatience and finding a sponsor, instead of a mentor

June 25, 2022

It’s been a week dominated by social and media giants, and plenty of tech talk. How wonderful to spend the final day immersed in the work, and to recalibrate back to creative.

My final session was Josy Paul of BBDO India, whose topic was Empathy, Emotional Data and Creativity.

Paul is a multi-Lion winner. #SharetheLoad for P&G is a campaign of his you are likely to be familiar with.

Paul feels that the nature of creative is changing, the world is wracked by radical impatience. He feels we should approach what we do as emotional archeology.

To do so, we need to be an antennae. Our current formal briefing structure is often too transactional to result in meaningful work.

Instead, Paul espouses just talking, and employing deep listening to find empathy – which he calls emotional data. We should strive to be a DJ of thoughts. And instead of pushing to sell someone, look for truth, which sells itself.

Success tip. Versus “find a mentor” it was suggested that you find a sponsor. A powerful advocate to champion you within the organization.

In the end, we are all human. Therefore, our universal currency is feeling.

What perfect thought to end a week spent on the world’s stage of creativity.

Quiet descends on the Croisette.

Cannes Day 4: Vulcans. Greenpeace. Squid Games. Ad Victories

June 24, 2022

Score one for advertising.
The historical backbone of Netflix, according to Co-CEO/Chief Content Officer Ted Sarandos isn’t a global pandemic. It’s the non-linear programming and lack advertising – basically the anti-TV model. Subscription-based services are now facing a budgetary backlash. Thus the Netflix decision to offer an ad-inclusive model. It returns our industry to its roots of helping to finance entertainment for the masses. I call this an Ad Victory.

 

Fun fact: Squid Games is Netflix’s biggest show ever.

  

Sir Patrick Stewart took to the stage today for what ended up being a conversation about inclusion

I Boldly Went
Let’s talk diversity shall we? Sir Patrick Stewart took to the stage today for what was billed as a discussion about longterm fandom but ended up being a deeper conversation about inclusion. The Star Trek practically invented DEI. The franchise has a long history of welcoming all genders, races, sexual orientation and species. Ahead of its time, yet again.

 

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Greenpeace joins the Festival
As Greenpeace put it so eloquently, “there are no awards on a dead planet”. This week has seen protests against the complicity of ad agencies working for the fossil fuel industry. WPP seems to be a specific target. The climax today included GP’s “This is fine” dog mascot hoisting up a protest banner on the Palais façade from an enormous crane.

Ryan Reynolds shares the secret to deploying at warp speed when a cultural moment hits

Cannes Day 3: Ryan Reynolds. Accessibility. Missing luggage – the new epidemic.

June 23, 2022

Ryan is Canada’s national treasure. He is funny and self-effacing – the quintessential Canadian. He’s the only guy I know who could pull off being a client and an agency at the same time. His secret sauce is humour and speed. Red tape, big budgets and too much time are often the enemy of relevance. Ryan deploys at warp 9 when a cultural moment is hot.

The Lego Para Expansion Pack

The theme of accessibility is very present at Cannes in the shortlisted work.

Mastercard Touch Card is a tactile stroke of brilliance. MC notched the edges of their suite of cards so those with low vision could distinguish them. Simple is smarter. BBDO Toronto and the Canadian Paralympic Committee were recognized for their wonderfully inclusive Lego Para Expansion Pack.

 

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The only epidemic going viral on the Croisette is missing luggage.
Half of Cannes is luggage-less, and the run on Zara has been noteworthy. I continue to soldier on with my limited wardrobe, clinging to the illusion that someday Air Canada will return our suitcases. Call me an optimist.

 

The Pinterest pavillion at Cannes

The pavilions dotting Cannes.
It’s no longer solely the bastion of media players, social is flexing its muscles, Meta, Google, Twitter, TikTok, Reddit and Pinterest are in on it. There are also many unknown brands present which fuels the feeling of the establishment of a new order.

Climate anxiety
A thread woven throughout the shortlists this year is climate anxiety. Brand activism is pushing the agenda, and one of the most memorable examples was Corona’s Plastic Fishing Tournament. We dump 14 million tons of plastic in the sea. This activation paid fishermen to capture plastic and haul it out of the ocean. The hope is that the fish will someday return.  

Only in Cannes

 

Buzzwords of the Day
Lost luggage.

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